PPPInc. going strong two years later!

It has been awhile since I last posted but I'm happy to say that things are going great and PPPInc. (or P3 as friends fondly refer to me) is progressing very well.

Friends and colleagues in the newspaper industry have been feeling the sting of the decline of advertising, readership, and revenue, but thankfully there continues to be a demand for great photography in the editorial world, and elsewhere.

While I continue to do assignments for my editorial clients, I have been steadily increasing the client list for PPPInc. with valued companies in the corporate and commercial sectors. I have embraced this new work and am finding it a wonderful environment with new challenges and many opportunities to showcase photography and grow my business.

During the past year my work has ranged from writing a 5,500 word essay to accompany my images from a self-assignment in Natuashish, Labrador to working on a book of corporate location portraits.

I was very pleased to see my story, Hunting Demons in Labrador, given five pages in The Globe and Mail, and a wealth of space and promotion on-line.

Sharing such a wonderful experience with the people of Natuashish was a privilege I will never forget and it was an honour to be able to draw some attention back to the many challenges faced by the people who populate Canada's remote northern regions with a story that is both chilling and to a small degree, encouraging. My thoughts still go daily to the people I've met I'm my travels and wish them  continued success in their struggle to make their communities happy and healthy places for families to grow and prosper.

Lac-Mégantic, Que

On July 8, 2013 I drove 875km from my home to join Globe and Mail staffer Moe Doiron and a small team of reporters in Lac-Mégantic, Quebec. Until Saturday I had not heard of this picturesque tourist destination on the edge of Quebec's Eastern Townships. But now, for me, and for countless others, this otherwise quiet town of about 6000 residents, will forever have a permanent place in our psyche.

In the early hours of Saturday morning a run-away train hauling 72 tankers filled with light crude brought hell-on-earth to the town's historic downtown. Media from across the country flooded to the small town to cover this story. The track configuration will certainly be a consideration in the investigation, as are the events that lead the rolling time-bomb to begin rolling down the steady grade from where it was parked in Nantes, about 20km away. The momentum alone of this mass of steel derailing in an urban centre is frightening enough, but the explosions, inferno, and a flowing river of fire toward the lake meant that people nearby never stood a chance. Officials estimate that as many as 50 people may have lost their lives, but the recovery process will be painstaking and lengthy. Many more residents were displaced for several days as the fire was brought under control, and the "crime scene" secured. Most were able to return to their homes by the end of the week, but many, still in temporary housing, will likely not return to their homes, if they are still standing, for weeks, or months.

A house still stands adjacent to the destruction in downtown Lac-Mégantic, PQ on July 11, 2013.(Peter Power/The Globe and Mail)

For those whose homes are inside the screened steel fencing erected by the authorities it will be some time before they experience the emotional return to home and re-uniting with neighbours that we witnessed on the 11th. For many their homes are tantalizingly close but unreachable; peeking almost mockingly at them over the menacing black fencing.

This lengthy barrier, purported by authorities to be "protecting a crime scene," has screening that denies passers-by a view to the carnage beyond. On the sides where public, and media access, is denied, there is no black screening. But the Lac-Mégantic's residents are curious, as are the media, and now, there are throngs of tourists who have been flocking to the small town to catch a glimpse of their own of this disaster. For the media, who have had limited access to the site, the curious onlookers have themselves become a story.

Someone has elected to decorate the screened fencing in Lac-Mégantic, PQ on July 13, 2013.(Peter Power/The Globe and Mail)

What hasn't become a story, and should at some point, is the fact that authorities in Lac-Mégantic have repeatedly done everything they can to inhibit the media, and the public, from witnessing the work being done beyond the fencing under the guise of "protecting the evidence." Photographers especially have been told repeatedly that "it is illegal to photograph a crime scene." Nonsense. Or, "it is illegal to photograph a body." Nonsense. It even became ridiculous to the point that photographers were denied the ability to approach residents to ask to use their balconies to secure a view.

The scope of this disaster is yet to be fully understood and absorbed by everyone who has been touched by it. The pain felt in Lac-Mégantic, and the healing that will take place over many years is certainly what is most important. In its scope and its impact, this disaster is unprecedented in Canada.

A small hand-made cross placed by local Helene Drapers sits at the front of St. Agnes Church in Lac-Mégantic, PQ on on July 13, 2013.(Peter Power/The Globe and Mail)

What is not unprecedented is the methods used by authorities to stymie the efforts of a free media, in a democratic country, to gather information. Authorities in Lac-Mégantic have chosen to police morality rather than the law. They have taken it upon themselves to decide what images are gathered from the scene, and are attempting to decide for the media what we can or cannot publish in good conscience. This is simply wrong, and outside of their mandate.

Their concerns, that some media will publish something that is hurtful, or insensitive to the community are not without precedent either. But in my experience most media organizations historically err on the side of caution especially when it comes to image use. The instances where an organization consciously or inadvertently publicizes disturbing material are few, and is not the responsibility of the emergency services to control.

At one point, we the media were even asked, by a PR official, not to take images of people working on the site. What a ridiculous request to make.

What is almost as upsetting is the way every media outlet allowed this to continue without any real challenge. I know of only one photographer, perhaps a little motivated by a late arrival and the need to generate some fresh images, who challenged the top PR man, their policy, and their lack of authority to enforce it. Without the support of the mass of media present, which should have existed, this attempt was doomed to fail, as it did.

Police and forensic team members take a break in the shade of a home inside the red zone in Lac-Mégantic, PQ on July 14, 2013.(Peter Power/The Globe and Mail)

It has not been lost on the media that much of the work being done inside the perimeter borders on the heroic. Many workers have fallen ill on the site. Long hours and exhaustion in the extreme heat have been a constant concern. Over time the horrible job many workers must endure is sure to take an emotional toll. But this is indeed part of the story, and should be told, in words, and in images. Asking residents to keep us off of their roofs, or suggesting that their insurance wouldn't cover an injury to a media person is, again, untrue, and beyond the mandate of authorities.

In a community that is coming together for strength, two women smile and clasp arms following a moment of silence at noon in Lac-Mégantic, PQ on July 13, 2013.(Peter Power/The Globe and Mail)

Lac-Mégantic has felt this tragedy at its core. Many of us have witnessed the community coming together and showing great strength, and support. Compassionate acts of condolence have filled the memorial inside Sainte Agnes Church from near and far. I know that I have been touched by the kindness of the people I met on this assignment, and the strength this community showed despite such a great loss.

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For more images from Lac-Mégantic, go to my personal website or The Globe and Mail.

Freedom of the Press

From Canada's Constitution Act of 1982 the Charter of Rights and Freedoms guarantees the rights and freedoms set out in it subject only to such reasonable limits prescribed by law as can be demonstrably justified in a free and democratic society.

And according to section 2(b) of the Charter this includes freedom of thought, belief, opinion and expression, including freedom of the press and other media of communication.

The Canadian Charter of Rights and Freedoms is actually quite young. It was originally signed by Queen Elizabeth II and Prime Minister Pierre Elliott Trudeau in 1982, after several drafts and revisions to the original 1980 document.

It is important to note that these rights are not absolute. According to The Centre for Constitutional Studies, all rights listed in the Charter may be subject to limits where there are competing interests.There are two main components in their analysis of these limits. The first is that all limits must be “prescribed by law” and the second is that the limits must be “reasonable and demonstrably justified in a free and democratic society”

Section 2(b) which has been the subject of a large amount of case law is considered by many to be the most significant of the Charter rights in influencing Canadian society. Justice Peter Cory, who served with the Supreme Court of Canada from 1989-1999, once said "it is difficult to imagine a guaranteed right more important to a democratic society."

IMHO it is difficult to imagine a guaranteed right more important to a democratic society than 

freedom of the press.

While this is all very heady stuff it is important to understand that freedom of the press is not some catch phrase snatched from the movies. Freedom of the press is an absolute necessity if we are to hold governments and agencies accountable, inform and entertain our communities, expose inequity and injustice in all forms, document events for the historical record, and inspire thought and creativity for the betterment of society.

Freedom of the press?

In the twenty-four years that I have been working as a staff photographer in Canada I have witnessed the escalation of a troubling trend by people of authority to limit and/or impede the work of legitimate journalists and photojournalists with little or no legal justification.

There was a time when police tape was used at crime or accident scenes to control crowds, allow emergency responders space to do their jobs, and maintain public safety. These are all legitimate reasons for controlling a perimeter. However, many journalists you ask today will tell you that police lines(to use a general term not limited to police), have steadily moved further and further away from the scenes they are meant to protect. Many emergency services come under the scrutiny of media during the execution of their duties. It is no small wonder that over time authorities have discovered that by limiting media's access they are also able to avoid scrutiny of their own roles.

The dreaded yellow tape that marks off areas where emergency personnel are working is often used to define the point that media cannot cross. It is quite common for police to control media in this way while citizens stand, or walk well within the limits of the yellow tape. It begs the question as to which of reasons for placing yellow tape is being addressed. While civilians are free to wander within police lines then certainly the incident scene is not being protected, nor is public safety. In addition, most media understand all too well how to work in close proximity to emergency personnel without getting in the way. I'm not sure that most civilians can say the same.

When a neighbourhood barbecue turned violent and several people were shot in Toronto last year, there were hundreds of yards of police tape strung throughout the neighbourhood. Media did what they could to do their jobs from outside of the taped area, while some residents wandered around inside the tape within feet of where cones marked evidence found by investigators. When some media tried to access a part of the street (outside the tape) from which it was possible to view an area where police were visible conducting their investigating of one of the fatalities, officers quickly asked them to move away, and the tape was moved to prevent the effort from being repeated. Why would they do this?

It is no secret that many in society do not understand how or why we do our jobs as visual journalists, and it is often painfully obvious that many police officers and other emergency personnel do not approve of what we do. This is irrelevant when it comes to our rights as media representatives performing a legitimate role within the confines of the law. But it is the reason, this and self-preservation, that people of authority use their authority, lawful or not, to make it harder for us to work.

Only law can limit a Charter right. A police officer cannot limit a Charter right on his or her own initiative without any authority in law. Nobody can limit the rights of the media simply because they don't like or agree with what we are doing or how we are doing it. But police are not stupid by any means and it is this manipulation of the law that they use with great effectiveness.

Take for example the case of Toronto Star reporter Alex Consiglio who was arrested after taking photographs of an injured GO transit officer at Union Station in Toronto. Anne Marie Aikins, media relations manager with Metrolinx, was quoted in the story as saying that news photographers are not allowed to take photos at Union Station. “There are two issues here. If you’re taking pictures in the official capacity of your job (journalist) that’s where there is a liability issue. If people are using their cellphones and taking pictures or even using their cameras to take tourist shots there isn’t that kind of an issue because it’s not in an official capacity,” said Aikins.

If I'm understanding correctly then, the problem isn't the act of taking photos, but rather the idea that something unapproved by GO might end up in a media publication. So in practical terms, it's okay to take photos, unless you're an actual accredited, working journalist.

The moments that followed Consiglio being asked to stop taking photos are indicative of a tactic quite common with police. While we may not agree with an officer's reasons for asking us to move back from an area, and while the request may actually be difficult to justify legally, the bottom line is that once you disobey that request you are providing police with the opportunity to arrest you, which is pretty much what happened with Consiglio. In fact Consiglio says he did move away when directed to do so, but apparently didn't quite remove himself completely from the property.

It is very common today for police, security personnel, etc. to tell unwitting members of the public, and the media that they cannot take photos. The reality is that there is absolutely no law against taking photographs in Canada. There are trespass laws, and you can be quite lawfully asked to leave a property, but the act of making pictures is not illegal. You know you've struck a nerve when a police officer approaches you and tells you to move away because "you've taken enough pictures." It is neither their right, nor their place to determine when you may or may not photograph or videotape a scene. Their own personal sensibilities, fears or judgments are irrelevant to the situation and the rule of law. Wether lawful or not, the next step is that the officer will ask you to move back. At this point they are taking a perfectly lawful situation and placing you at the mercy of the law as they interpret it. If you resist at this point, media or not, you may be arrested. It is wrong, it likely won't stick in court, but it certainly solves the problem for the police officer at that moment.

Another situation we come up against regularly in Toronto is access to TTC property. The Toronto Transit Commission is paid for by the taxpayers of Toronto, is run by the government body in Toronto, and is largely a public space. Individuals take photographs and video regularly on TTC property, yet the TTC insists that the media need permission to work on TTC property. There is no legal justification that I have been able to find for this, yet Toronto's media for the most part tolerates it.

At Toronto City Hall I was recently told I could not take photographs from the public seating area. This, despite the fact that the area was mostly empty. The security guard, and the civil servant with him, were of the opinion that I needed to work from the media designated area.  The security guard actually admitted to me that if I was a member of the public I would be allowed to continue photographing from the public area, but because I was with the media I had to move. The thinking is so obtuse that I can hardly believe it happened to this day. It is convenient that an area is set aside for media to work in, but it is exactly that. It is not intended to be a place to sequester the media.

Situations like these have become all too common. Police tape and bogus rules have become a way to control media access, and media are increasingly being targeted. In a 2010 story by Lise Lareau, for the Canadian Media Guild she describes several cases of media carrying formal G20 media accreditation who were kept from doing their jobs, several of whom were beaten, arrested, and detained. What appears to be happening is that the messengers are being targeted by authorities rather than authorities concentrating on the events that are being covered.

In our small photographic community here in Canada we were all shocked at the 2010 G20 events, but personally I was even more dismayed that more was not done by media outlets, either individually, or collectively, to object to the actions by authorities. At the time the CAJ issued a statement to police, but little more was done publicly by other organizations beyond statements. In their release, the CAJ wrote, 

“This kind of behaviour by police toward the media is not acceptable in a democracy like Canada,” said Mary Agnes Welch, president of the Canadian Association of Journalists. “Police must understand that, like them, journalists have a job to do in the public interest. Lumping us in with protesters or blocking us from covering events is not consistent with the democratic principles that police are sworn to uphold. The CAJ has received word from professional journalists who say they have been threatened with arrest if they did not leave an area where they were covering peaceful protest, witnessed officers striking journalists and seen colleagues arrested."

I'm of the opinion that it doesn't matter what the nature of the protests were; peaceful or not. Media were doing their job, and were singled out because they had eyes on a scene that were unwelcome at the time. Police asked them to leave, and the minute they refused they became vulnerable to arrest. The post G20 fallout was minor, but was the most appropriate time in recent history for Canadian media to move en masse to change this rising tide of media crippling.

It has become increasingly obvious that there are those in positions of authority that have adopted a warped sense of the democratic principals that they have been sworn to uphold. We all take great pride in reporting and documenting with care, and publish our work with great consideration for every subject, victim, and reader.

Upon analysis, these situations and limitations of our rights and freedoms do not stand up to scrutiny. They are not “prescribed by law,” unless the law is loosely applied, and they are not “reasonable and demonstrably justified in a free and democratic society”

It is absolutely wrong for law enforcement, as individuals or collectively, to manipulate, or misrepresent the law, to strip Canadian citizens, media or not, of the rights that our lawmakers have guaranteed us in the spirit of a true democracy. This landslide of abuse needs to stop, and it will only stop when organizations, lawmakers, and citizens stand up together and say  "Enough!"

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POYi Award of Excellence

I was please to place in this year's POYi competition with an Award of Excellence in the Issues Reporting Picture Story category.

The twelve-image entry was part of a larger project shot in November 2010.

Pix between assignments

You know I just love this job for the variety.

I'm a newspaper photographer; photojournalist if you will. Many assignments we do can be routine or mundane, while others can be life altering.

I don't travel as much as I'd like perhaps, but just about as much as my family life can afford, and certainly more than some of my colleagues. I've been fortunate to have had many opportunities, and I've tried to make the best of them.

I'm not in Egypt right now, and yes, I'm somewhat disappointed about that. But since I'm not I try to please my masters here in Toronto with the best job I possibly can.

My job, over the past 24 hours, has included shooting Wynton Marsalis with the Lincoln Center Jazz Orchestra at Massey Hall, a frustrating effort over the span of two songs, in poor light while Mr. Marsalis himself, practically hid at the back of the 15-piece band! My favorite pic from the night was taken from the front seat of my car however, while waiting to meet the PR guy at the stage door.

Today, during my 3pm shift, I was shooting Pee Wee hockey, trying to get a good body checking photo for yet another study on the impact of body checking on minor hockey players. Seems body checking is like wine....good for you one year, ....not so much the next. I love hockey. But Pee Wee hockey doesn't always provide the best hit-action. Anyway, it was a snow day here, so before the first game I thought I try and catch up with the rest of the staff and find a weather pic, so off to a few tried and true feature holes, and lo and behold.....I got lucky.

Like I said, I love this job for the variety.

The "HIGHS" to "LOWS" & Inspiration where you can get it

Two days ago I was asked if I would travel to Cairo to cover the ongoing street demonstrations there and the peoples' calls for Mubarik to step down. I have rarely ever said no to any request and this was no exception. Conversation in the office suggested that management would likely give the story a few more hours to decide which direction it might take, and how we might best use our resources to cover it for  our Canadian audience. What is often lost in journalist's desire to cover big stories overseas is the question of what our readers might want from this story.

Needless to say, I spent that evening speaking with my family, answering concerns from my teenagers, who are both old enough now to understand the risks that are sometimes involved with my profession, and preparing for a phone call to tell me which flight I was on.

What transpired over the next twelve hours is not relevant to this conversation, but the result of it was that we would not be sending a photographer into the region.

A "Classic" non-assignment

It's rare for our photo staff at The Globe and Mail to shoot sports action.  The exception was the Winter Olympics in Vancouver which we had four staff photographers assigned to.

Although this wasn't an assignment, I did spend some time recently shooting hockey. The story and photographs appeared over two pages in The Globe and Mail on Monday, Jan. 17, 2011, as well as on the website.

I've been interested in photographing Mennonites for many years, but I've been waiting for a reason to do so. A short time ago, while watching the NHL's Winter Classic I got to thinking that other than the game being outside there really wasn't much "classic" about the game.

So where do you find hockey played in a true classic fashion, the way it might have been played in it's genesis? The answer, I discovered, is among people who choose to live a simpler life - the Mennonites.

I was able to get an "in" to meet with some members of the community in north Waterloo region, but I was fearful that my efforts to make images would be fruitless. The group I was sent to meet are some of the most strict of the Old Order - the David Martin Mennonites. My instructions from my Mennonite friend were to introduce myself, explain why I was there (the story I wanted to tell), and ask questions as I would anyone else I'd just met. But NEVER could I ask to photograph them. Due to their faith they are obligated to say no to photographs, and that would have been the end of that. Despite this they have, on occasion, been photographed in the past, so I was optimistic that I could work within their comfort level.

My hope was that they would allow me to spend time with them, and gradually I would begin to make photographs. The approach worked like a charm, although I felt as if every image I made would be my last of them. It became a game of sorts, with the boys tolerating my presence, my questions, and seemingly my camera, as long as I remained subtle. It wasn't easy to make photographs because it was difficult to bring the viewfinder up too long to study the subject and wait for moments. I only had one young man give me a sideways look while I pointed the lens at him, but I stopped and he carries on as if nothing had happened.

It was great shooting these boys playing a game I have always loved. The experience of being around them playing a game simply for the pleasure of it is one I'll not soon forget. Just before the game ended, I was sitting on one of the chairs, at the end of the "bench" so to speak, when one of the boys leaned out and spoke in my direction. "Did you get any good shots," he asked, with a smile on his face. I could only smile as I answered with a nod, and the words "I think so," which was as honest as I could possibly be.

The images have also been posted in a gallery at peterpower.ca.

Street Photography-The Dance

I was just looking at a post by Rob Skeoch on the NPAC site that I found interesting about a documentary that has been done on street photographer Joel Meyerowitz. The video is shot by Cheryl Dunn and is part of documentary called "Everybody Street." The piece is here on the site of The New Yorker.com.

Two things that he mentions even in this short teaser struck a chord with me - things that I have tried to explain to people myself over the years.

The first is the way he speaks about moving with people in the street, even referring to Robert Frank being "balletic."

I've often described moving with people I'm photographing almost as if you are dancing with them, or around them. This helps me become a part of the flow of the situation, and somehow less intrusive. There are times when you want to stand back and remain apart from a moment, but more often than not, especially on the street, it is extremely productive to immerse yourself in the "flow" of what you are photographing.

This leads to the next point that Meyerowitz mentions which is the sensibility of the photographer. This is not just a sensibility of the people living life around you, but a sensibility for the energy, the life, the moments that are intertwining all about you.

In a related piece Mary Ellen Mark speaks about the subject "showing you what the picture is." Street photography, as challenging as it might be, is not about concepts, but about watching life. She goes on to speak about it being an advantage to be a woman because she is less threatening than a man, which, for the most part, I agree with, but as with any generalization, it doesn't hold true to all individuals. How threatening you are depends largely on your own personality and your approach to people.

A Yorkville, Toronto bicyclist sends pigeons scattering. (Photo by Peter Power)

Looking Back at 2010

It has been quite a year 2010. There were plenty of stories that have touched us all in different ways, images that we'll never forget, and likely personal moments that test or reward us.

I cherish my time with  my family, especially around Christmas. It's a time to reconnect, especially with my two teenagers, and recharge the batteries so to speak for the challenges that the New Year will bring.

As far as work is concerned it has been relatively busy, at least for a daily newspaper photographer working in Canada. Below is a collection of twelve images - one, unpublished photograph from each month of the year - a year that had me on the road for about 60 days working on the Haitian earthquake, the Olympics, the Dementia Series, and one other that will be published in February.

There are also more images posted on my website as a 2010 Year in Review slideshow.

A young girl heads home from her father's funeral in Port-au-Prince, Haiti.